![]() I'm in love with a stripper She really think I'm playing, I'm playing She take me for a joke when I say it I'm in love with a stripper Gotta get her, I gotta get with her I can't stay out this club ![]() they get a lil' lap dance Come and grind on the w_ of a black man In my ear tellin' me the s_ a n_ like to hear While I nibble on ya nipple like Pac-Man She freakin' she lickin' she rubbin' Then she pulled my d_ out and start suckin' All because I be the Twista Even though T-Pain told me shorty was a freak I asked her can I take her home (Down right now) You wanna know where Twista be on fifty T-Pain invited me to Magic City I'm about to have some fun 2001, in these pocket all my e-fizzles with me I like the way mama get up on the table I like the way she pour the honey in her naval I like it when she smack her fatty and open it up in front of me I wanna touch it but I ain't able The one leg she can shake at the top of the pole Look at the Laffy Taffy when she pop, she roll I wanna get her in the bed right after they close When I do a video you get the popular role In the V.I.P. She got the body of a goddess, everybody know that Super-cute face and the booty so fat I'm in the club dropping twenty-four stacks Cuz I'm in love and that's a well known fact Like, yeah she know what she doing If a n_ chillin' with a stripper then he never go back home She got eyes b_er pecan brown can't leave it alone Liking the way she break it down to the flo' Need to get her over here show her where It's about to go down right now I'm in love with a stripper d_ lil' mama, you thought Akon and T-Pain was the only ones in love wit a stripper? Forgot to mention Twista, Pimp C, Paul Wall, MJG, Too $hort? You know we had to remix this Akon, R.Kelly, Twista, Busta Rhymes, Pitbull, Pimp C, Too Short, MJG and Paul Wall - I'm In The Love Wit A Stripper (Remix) Lyrics There's still a few places that song can't go, because even a decade later, it's ahead of its time.T Pain Feat. Probably even "I'm 'n Luv (Wit a Dancer)" couldn't pass muster. "I'm 'n Luv (Wit a Stripper)" didn't make the cut either time. To commemorate the 10-year anniversary of T-Pain's debut album and the one-year anniversary of his appearance, NPR invited him back last week for a command performance. Certainly the novelty was the draw for those who had. This could be due to the instinctive love a certain demographic has for R&B or hip-hop only when it's recontextualized and stripped down, but an audience who'd never heard T-Pain probably just saw an enchanting soul singer. "Buy U a Drank" unplugged turned out to be a smash with NPR listeners. Last year, T-Pain recorded the most popular Tiny Desk Concert in NPR history, accompanied by a lone keyboard player and joking that his Auto-Tune had been surgically inserted. Sometimes it's just a little concealer, sometimes it's neon pink fake lashes, and if it's going to be noticeable, might as well go big. ![]() The creator of Auto-Tune has been quoted as comparing it to cosmetics, appropriately. It resembles nothing so much as a strip club customer who goes on a tirade about how much he dislikes surgically augmented bodies even though he would not for one second stand for a woman who decided to leave her body hair in its authentic state. When it comes to popular music, an art form whose entire existence depends on the unanticipated applications of new technologies, drawing the line at a particular effect is a mental feat. He used it to screw it up and make it do what the human voice technically could not. T-Pain never used the device to make his voice sound unrealistically perfect. T-Pain is at least partly responsible for both 808s and Heartbreak and The Blueprint 3, one of which used a lot of Auto-Tune and one of which called for its death. In addition to being at the edge of a trend in subject matter, T-Pain's use of Auto-Tune marked/caused a huge increase in the program's use and an accompanying backlash against it, uniting Jay Z and Death Cab for Cutie in their public stands against vocal processing. The songs that history will record as the last butt rock stripper anthems came forth shortly thereafter in a death rattle of trying-to: Buckcherry's "Crazy Bitch" (2005), Kid Rock's "So Hott" (2007), and Nickelback's "Shakin' Hands" (2008). ![]() The strip club anthems of the 1980s- "Cherry Pie", "Pour Some Sugar on Me", "Girls, Girls, Girls"-and the nu-metal of the '90s were fading memories. After 2005, rock radio continued to dwindle into a niche market.
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